Ayad Akhtar maintains that what he calls the “attention-finance complex” has contributed to the collapse of a collective well-being.
Katrina Lenk and Tony Shalhoub performing a scene from “The Band’s Visit.”
“There’s a line of classical roles for Paapa, if he wants to play them,” the director Simon Godwin said.
Terrence Mann, as the title character in “Jerry Springer — The Opera,” was lifted up by the cast during rehearsal for a scene about good versus evil.
Two Prior Walters: Andrew Garfield, left, plays Prior in the current revival of “Angels in America” on Broadway. Stephen Spinella originated the role in the early 1990s.
Sophie Marvin and other audience members waiting for the second half of a very Harry Potter theater day. “Harry Potter and the Cursed Child” clocks in at more than five hours, plus a dinner break.
Left: Alfred Drake and Joan Roberts as Curly and Laurey in the 1943 Broadway production of “Oklahoma!” Right: Royer Bockus as Laurey and Tatiana Wechsler as Curly in the Oregon Shakespeare Festival production.
Kellie Overbey (with David Aaron Baker) during a particularly explosive period in the life of the title character in “Mary Page Marlowe.”
Amir Nizar Zuabi’s play “Grey Rock” is about a Palestinian man who decides to build, in a shed, a rocket to the moon.
The crowd-pleasing title character in the Melbourne, Australia, production of “King Kong.” The show opens on Broadway this fall.
“L’Avare” at the Odéon-Théâtre de l’Europe in Paris.
Vanessa Williams, with members of the ensemble, performing a number from “Jamaica” as part of the revue “Hey, Look Me Over!”
Justin Jain, Matteo Scammell and Ross Beschler in the Wilma Theater production of “Blood Wedding,” directed by Csaba Horvath.
Will Roland, left, and George Salazar as friends hungry to be more popular in the musical “Be More Chill.”
Lucas Papaelias as Dan and Ella Kennedy Davis as his daughter Julie in “This Flat Earth,” directed by Rebecca Taichman, at Playwrights Horizons.
From left, the pianist Jason Moran, the bassist Mimi Jones and the drummer Nate Smith in a rehearsal for a stage adaptation of Ta-Nehisi Coates’s book “Between the World and Me,” which opens at the Apollo Theater on April 2.
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